Sacred sound, held for listening
Every recitation, kirtan and stotram below carries its Sanskrit alongside its meaning — for conscious listening, not just playback.
A widely sung Hindi bhajan built around Hanuman's epithet as the remover of suffering — a devotee's plea for refuge repeated as a name of protection.
A Shiva invocation opening with the epithet 'Yogeshwaraya Mahadevaya' — Shiva addressed as the Lord of Yogis and the Great God.
Ravana's Shiva Tandava Stotram — a Puranic-era composition (not part of the core Vedic Samhitas) in which Ravana praises Shiva's cosmic dance of dissolution and grace, prized for its thunderous rhythm and imagery.
Sri Suktam, a khila (supplementary) hymn traditionally appended to the Rigveda's fifth Mandala invoking Shri/Lakshmi, followed by the Mahalakshmi Gayatri mantra.
A call-and-response kirtan built on the names Govinda and Gopala — Krishna as protector and cowherd — in the Western-kirtan style Krishna Das is known for.
A sustained Sitaram nāma-japa chant, building over its runtime with call-and-response and instrumental layers.
A live, extended rendition of the Sitaram chant, building through call-and-response toward collective absorption.